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Clevelandart 1949.565

By the end of the 15th century, Venice had emerged as the major printing center in Europe, where books were printed in various languages to be shipped around the world. The city also became the great emporium for prints, and the woodcut developed beyond its humble origins as a popular art for simple pious imagery, playing cards, and later for book illustration. View of Venice epitomizes this new ambitious scope for the woodcut. This monumental print can be compared in scale only to a mural decoration and presumably served as a less expensive surrogate for paintings. The six sheets that make up the design would have been pasted either onto a canvas or the wall itself, resulting in the survival of only 12 impressions like this one, and only 3 in America. There are eleven known impressions of the first state. The goal of the print was to depict Venice as seen from above. No single vantage point would have been sufficient, so a large team of surveyors climbed various towers and tall buildings to record small sections of the city. These individual views were combined to form the map which follows a single, though inconsistent, system of perspective. Unprecedented for its exactness of de

Date
1949
Archive
Wikimedia Commons
Type
map
Original size
3,400 × 1,637 pixels

CC0safest

Reason: CC0: dedicated to the public domain.

Read from: Commons licence category: CC-Zero; no CC BY, CC BY-SA, GFDL or deletion tag on the file page.

Credit line

"Clevelandart 1949.565" (1949). Wikimedia Commons. CC0. https://commons.wikimedia.org/wiki/File:Clevelandart_1949.565.jpg

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